Three-Month Novel-Writing Course With Charlotte Mendelson

Our flagship writing course, featuring direct input from our literary agent team, based in Curtis Brown's Central London offices. Includes one fully-funded scholarship place.

COURSE DATES

Nov 13 2019 - Feb 27 2020

London

In-person course in central London

Selective Entry

We offer places to the most talented applicants

Course Fee £1,800

Work on your novel with the experts

Overview

Our Three-Month Novel-Writing course is aimed at talented writers who want to work intensively on their novel with the support of an expert tutor and a  strong peer group – and who also want to learn how to navigate the sometimes choppy waters of the publishing industry.

Acclaimed author Charlotte Mendelson will lead weekly writing workshops; provide one-to-one tutorials on how to write a novel, and give teaching sessions on key topics such as how to create memorable characters and how to develop your story.

This creative writing course also features four special guest speaker sessions in which literary agents from Curtis Brown and C&W, paired with leading writers and fiction editors, will share their experience and insights with students and answer their questions.

The course takes place in our central London offices and is scheduled for evenings to suit participants with full-time jobs and other daytime commitments. All teaching sessions, workshops and visiting speaker sessions will take place in our boardroom.

We have partnered with top London chartered accountancy firm HW Fisher to provide a scholarship for this course. One talented writer of limited financial means will receive a fully paid place, find out if you’re eligible and apply here.

In the eight years since we’ve started Curtis Brown Creative, over 70 of our former students have gone on to get major publishing deals for their novels. We’ve had some fantastic success stories across all genres, including London course students turned bestselling authors: Jessie Burton (The Miniaturist), Kate Hamer with (The Girl in the Red Coat) and Laura Marshall (Friend Request). Read more about the published authors who’ve studied with us in London here. While we can’t guarantee publication or representation, we lavish our expertise on our students. The agents of Curtis Brown and C&W are hungry for new authors and actively looking for clients among our students.

‘Charlotte is pure gold: utterly intuitive, responsive to every nuance in the room, overflowing with writing tips, exercises, advice and recommended readings.’
Mary Anne Butler, former student of Charlotte Mendelson’s on the three-month course

Tutors

Charlotte Mendelson, author

Charlotte has written four novels: Love in IdlenessDaughters of JerusalemWhen We Were Bad, and Almost English, all published by Picador. She has 20 years' experience as a fiction editor and publisher, and is a Visiting Professor at Royal Holloway, University of London, on the Creative Writing MA course. Her first work of non-fiction, Rhapsody in Green, was published by Kyle Books in September 2016.

Anna Davis, Director

Anna is the founder and Director of the Curtis Brown Creative writing school. She is the author of five acclaimed novels which have been published in twenty languages. She has been a journalist and Guardian columnist, as well as a Curtis Brown literary agent. She taught creative writing at the University of Manchester and in many other settings before founding Curtis Brown Creative in 2011.

WHAT DOES THIS COURSE GIVE YOU?

London class picture
London Workshop 2

Weekly Teaching Topics

Lively teaching sessions take place on Wednesday evenings

During the first hour of the weekly Wednesday class Charlotte Mendelson will teach on a variety of novel-writing topics, such as characterisation and narrative point of view, with discussion, reading materials and writing exercises. Each week, Charlotte will set a homework task.

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Weekly Writing Workshops

Led by Charlotte Mendelson

The writing workshops take place in the second hour of Charlotte's weekly class. During the 12 weeks of the course, you'll get two dedicated workshops centring on material from your novel-in-progress with your tutor and fellow students (extracts of 3000 words, each time). These sessions offer in-depth written feedback and are also designed to help develop your editing skills.

Charlotte Mendelson

A One-to-One Tutorial

Work closely with Charlotte on your novel-in-progress

You will receive one 25-minute tutorial with Charlotte Mendelson, before the Wednesday class starts, based on a 3,000 word section of your novel-in-progress. Use this tutorial to address your specific concerns about your writing.

Norah Perkins

A 45-minute Agent One-to-One

Get a literary agent's perspective on your novel-in-progress

Near the end of the course all students will get a 45-minute one-to-one tutorial with a Curtis Brown or C&W literary agent. The agent will read a 6,000-word extract from your novel-in-progress plus your synopsis. They will provide detailed feedback and publishing industry advice.

London Workshop

Four Visiting Speaker Evenings

Insights and inspiration from published authors, agents and editors

In four visiting speaker sessions on Tuesday evenings, literary agents from Curtis Brown and C&W partner with major authors and top publishing to talk to the student group. These special sessions allow time for Q&As and some visitors like to hear the students' elevator pitches ...

Pitch pic

Agent Letter Workshop

Expert feedback on the all-important pitch letter

We'll give you the vital do's and don'ts of agent pitch letters - you'll then write your own and CB agent Norah Perkins, plus another CB or C&W literary agent will give you verbal feedback in a group workshop.

Editing image

Synopsis Advice

We'll show you how to nail that tricky synopsis

We'll give you the ingredients of a great synopsis - then you'll write one to share with the group and receive individual feedback from Charlotte.

Glasses image

Share Your Work with Literary Agents

A chance to informally show your work to our team

Ahead of the end of the course drinks session, all students will be invited to submit the 3,000 word opening of their novel, plus a synopsis, to be shared with the agent teams at CB and C&W. This is not a formal submission to the agency but a chance to give the agents a taste of your work at this stage.

Jonny Geller, agent

Drinks and Networking with the Agents

Attend an end of course celebration with Curtis Brown and C&W Literary Agents

At the end of the course you will be invited to a celebratory drinks reception with the literary agents. You'll get the chance to talk about your novel, to practise pitching, and to chat about books and publishing in an informal setting.

Working with Other Writers

We pride ourselves on the tightly-knit writing communities that are established on our courses. As well as getting feedback on extracts from your own novel during the course, we’ll be asking you to read the work of your 14 fellow students week by week, and provide constructive written comments (both in writing and at the group workshop sessions). We find this process helps students develop their inner editor and has a hugely positive impact on their own writing. Each week three students will submit 3,000-word extracts from their novels-in-progress to be workshopped by the rest of the group and the tutor. It’ll be your turn to get the group’s dedicated workshop attention twice during the course.

NEW MENTORING OPPORTUNITY

At course end, you’ll be offered the opportunity to sign up for a brand new exclusive mentoring scheme, available only to the alumni of our selective courses. For a fee of £1,500 (including VAT), we’ll match you up with a mentor, who will be one of our team of expert tutors and editors. On three occasions across a period of 6-8 months, your mentor will read up to 10,000 words of your novel-in-progress and discuss the work with you in-depth one-to-one, for 1 hour each time – either in person (if you’re able to meet at a location designated by the mentor) or by skype – as well as giving you 500 words of editorial notes.

APPLICATION PROCESS

Our selective applications process means that you will be writing your novel in a peer group of 15 students working at a high level. Many of our former students have found their tribe with us – and continue to meet up with former class-mates who have become trusted readers long after the course is over.

The course fee of £1,800 (inc VAT) per student is payable, in full, by bank transfer or cheque. Funds must reach our bank account before the course begins. If you are unable to pay the full fee upfront, we’re happy to discuss payment in instalments. We regret that we are unable to refund fees, and would suggest students make their own insurance arrangements if required. Students opting to join the mentoring scheme will be asked to pay a further £1,500 (inc VAT) before their mentoring begins (you don’t need to make a decision about that at this stage).

Please upload your application via the form at the end of this page. If you encounter any problems during the application process, or have any questions about the course, please email cbccourses@curtisbrown.co.uk for assistance.

Ally Wilkes

Guest Speakers

Read about the guests who’ll be visiting this course in five special sessions, along with a literary agent host (further visiting speakers tbc)

Norah Perkins, agent

Norah Perkins


Agent

Course Schedule

All sessions take place at Curtis Brown’s offices in London. The Wednesday teaching and workshop sessions run from 7pm-9pm (with tutorials immediately prior to class – 6pm-7pm)

The visiting speaker sessions are on Tuesdays – 7pm-8.30pm

WEEK 1

INTRODUCTION AND BEGINNINGS

Wednesday 13 November

Teaching Session with Anna Davis and Charlotte Mendelson. Anna and Charlotte will welcome the group to the course, explain how the course works and share what students should do to get the most out of the three-months.

see more

WEEK 2

PLANNING AND OPENINGS

Tuesday 19 November

Visiting Speaker Session with a literary agent and an author/ publisher (tbc)

Wednesday 20 November

Teaching Session and Workshop with Charlotte Mendelson. Charlotte will talk about what makes a good novel opening and give tips on how to plot and plan you story arc.

see more

WEEK 3

INSPIRATION AND POINT OF VIEW

Tuesday 26 November

Visiting Speaker Session with a literary agent and an author/ publisher (tbc)

Wednesday 27 November

Teaching Session and Workshop with Charlotte Mendelson. This week Charlotte will discuss where writers get their inspiration from and give guidance on choosing the right pov for your novel.

see more

WEEK 4

DEVELOPING YOUR PROTAGONIST

Tuesday 3 December

Visiting Speaker Session with a literary agent and an author/ publisher (tbc)

Wednesday 4 December

Teaching Session and Workshop with Charlotte Mendelson. This week is all about getting inside the head of your main character: what drives them, how do you make them convincing, etc.

see more

WEEK 5

PLOTTING AND STORY

Wednesday 11 December

Teaching Session and Workshop with Charlotte Mendelson. This week Charlotte will get into the nitty-gritty of plotting out your novel and making sure your story flows.

see more

WEEK 6

DIALOGUE

Wednesday 8 January

Teaching Session and Workshop with Charlotte Mendelson. Dialogue can make or break a novel and good dialogue is all about authenticity.

see more

WEEK 7

DEVELOPING MINOR CHARACTERS

Wednesday 15 January

Teaching Session and Workshop with Charlotte Mendelson. It is important not to forget about the minor characters which help flesh out the reality of your story.

see more

WEEK 8

DESCRIPTION AND TONE

Wednesday 22 January

Teaching Session and Workshop with Charlotte Mendelson. Charlotte will share examples of descriptions which really work and discuss the different stylistic approaches to novel-writing that an author can take.

see more

WEEK 9

THE SYNOPSIS I

Tuesday 28 January

Visiting Speaker Session with a literary agent and an author/ publisher (tbc)

Wednesday 29 January

Teaching Session and Workshop with Charlotte Mendelson. During week one of the synopsis workshops Charlotte will explain why the synopsis is so important to get right and give tips on how to do this.

see more

WEEK 10

THE SYNOPSIS II

Wednesday 5 February

Teaching Session and Workshop with Charlotte Mendelson. Week two of the synopsis workshops.

see more

WEEK 11

ENDINGS

Tuesday 11 February 

Letter to Agents session – get feedback on your agent letter from two agents from C&W or CB.

Wednesday 12 February

Teaching Session and Workshop with Charlotte Mendelson. Your novel needs an ending and finding the right one to do the story justice can be tricky, Charlotte will help lead the way.

see more

WEEK 12

CONCLUSIONS

Wednesday 26 February

Teaching Session and Goodbyes with Charlotte Mendelson and Anna Davis.

Thursday 27 February

Celebratory evening with a chance to meet the agents from Curtis Brown and C&W.

see more

READY TO APPLY

Please apply with the first 3,000 words of the novel you’d like to work on during the course, and a synopsis of no more than a page (both need to be in the same document, as you can only upload ONE file in the application form). The application deadline is midnight, end of day Sunday 13th October, and we will respond to applicants by Wednesday 16th October.

 

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  • Contact Details

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  • About You and Your Writing

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