Edit & Pitch Your Novel – Advanced
Polish your novel and shape up a compelling pitch package with support from a tutor and publishing professionals. Includes a one-month summer recess to focus on rewriting.
07 Jun 2022 - 21 Oct 2022
Online & on Zoom
Study on our bespoke platform & in live Zoom classes
15 places will be offered
*Discounted rate of £1,450 for former students of Edit & Pitch Your Novel
Do you have a complete draft of a novel? Are you looking for help knocking it into shape, and getting ready to submit? Take your rough first draft all the way to finished and polished novel and put together a compelling pitch package ready to send to agents on this specially designed course, with expert feedback and encouragement from an experienced author-tutor, who has also worked in the publishing industry. You’ll also receive a series of masterclasses from publishing professionals and acclaimed authors to give you the inside track, a comprehensive set of teaching videos and resources, and will join a supportive peer group of 15 students, all working at a high level.
Across the last five years, our six-week online Edit & Pitch Your Novel course has become our most popular and bestselling course. Many students have wanted more – and some have asked us, ‘Why don’t you offer a much bigger version of this course – with more feedback, more time to work on each of the lessons offered, and with live classes with agents, publishers, and with Anna Davis on her Rewrite Doctor method of editing?’ Well, now it’s here! On this elite course – which includes the complete Edit & Pitch Your Novel teaching materials delivered on our online learning platform – you’ll have plenty of time to work through all of the tasks, so that you can hone that novel, build your confidence, as well as perfect your pitch over three months. Students will also attend six professional masterclasses live on Zoom, and interact online with weekly discussions prompted by your author-tutor Abbie Greaves – who will give you a one-to-one tutorial in the early part of the course to help you get started on your edit with confidence – and then, at the end of the course, will review your pitch package (your opening 3,000 words, synopsis and pitch letter) and give you a further one-to-one tutorial and written feedback.
This course will take a month-long break over the summer, to allow students extra time to work on their rewrites – before joining us again in September, refreshed and ready to work on their pitch package.
This advanced course is perfect for serious writers with a complete first draft of a novel, who want a high level of support as they get their material pitch-ready. To apply, you’ll need to send us an extract of the novel you’re working on – and we will select the most promising 15 applicants to take part.
‘Brilliant tuition from Anna Davis in the videos – presentation, content and the materials. I found the Diagnosis Plan (Rewrite Doctor) an excellent forensic tool which I have put to effective use in editing the whole of my script.’
Chris Zakarian, former Edit & Pitch Your Novel student
Abbie Greaves, Author
Abbie Greaves is the author of The Silent Treatment (2020) and The Ends of the Earth (2021/2022). She lives and writes in Cambridge, UK. Her novels have been translated into over a dozen languages, selected for the Radio 2 Book Club, shortlisted for the RNA Debut Novel of the Year Award and featured in The Independent, The Sun, Woman & Home, PopSugar, Cosmopolitan, and more. Abbie worked in publishing for three years, including at Curtis Brown as a literary agent's assistant, before leaving to write full time.
WHAT DOES THIS COURSE GIVE YOU?
Six Industry Masterclasses
Learn from top authors, literary agents & publishers
Industry experts will share their insights into editing and pitching in special 90-minute live Zoom teaching sessions. Topics will include rewriting, line editing and working with publishers. Students will be invited to ask questions.
Teaching Videos & Notes
From first draft to polished pitch package
You'll get a comprehensive set of teaching videos plus substantial notes and resources from Anna Davis, delivered to you in clear modules via our Learn platform as the course progresses, which underpin the live teaching.
Weekly Teaching Posts
Discussion and support from your tutor
Every Tuesday your tutor Abbie Greaves will post on our Learning Platform with insights and tips. These posts will stimulate lively online discussions.
The hub of our online courses - find your writing community
Upload your work, give and receive feedback, and discuss the week’s topics with your fellow students and your tutor.
Feedback from Your Tutor
See how well you're progressing
Get guidance on how well your editorial process is going. Abbie will give you a 30 minute one-to-one tutorial on Zoom early in the course (based on 3,000 words plus a note of your questions) to help you get going on your edit. She'll then provide written feedback on the tasks set across the course.
Expert critique of the dreaded synopsis
We'll draw on our agenting expertise to give you the vital ingredients of a great synopsis – then you'll write one, and get individual feedback from your tutor.
Pitch Letter Feedback
Perfect the all-important pitch letter
We'll give you the vital dos and don'ts of agent pitch letters – you'll then write your own and a literary agent will give you in-depth written feedback.
End of Course Tutorial
Get feedback from on your submission package
Make sure your pitch package is in the best possible shape before you send it out to agents. At the end of the course you'll be invited to submit your pitch letter, one-page synopsis and 3,000-word opening for a 30-minute Zoom tutorial with Abbie – who will also provide written feedback.
PEER GROUP DISCUSSION
Writers meet their trusted readers on our courses, and many groups of students continue to support each other’s writing years after their course ends. You’ll take part in lively discussions with your 14 fellow students on a week-by-week basis. You’ll read your peers’ writing tasks and provide written feedback in our online discussion space, and will receive constructive comments in turn. We find this has a hugely positive impact on students’ writing.
REPORTS AND ALUMNI SERVICES
We offer a range of writing services that are exclusive to the alumni of our selective courses, which you’ll be able to access after your course finishes. These services include individual mentoring from some of our most experienced tutors and a range of editorial reports.
Students of this course will be given an exclusive discount off our full manuscript report if requested within three months of the course ending (discounted from £750 to £700 for a manuscript of up to 90,000 words – plus £35 extra for each additional 5,000 words).
When you’re ready to send your novel to agents, the Curtis Brown Creative team will advise on which agents at Curtis Brown or C&W would be most suitable for your work and will help you to submit to them.
Author and CBC Managing Director
CBC Senior Manager
Jonathan Cape, Publishing Director
Our selective applications process means that you will be in a peer group of 15 students working at a high level. The course fee of £1,600 (inc VAT) per student is payable, in full, by bank transfer or cheque before the start of the course. However, if you are unable to pay the full fee upfront, let us know and we can arrange an instalment plan.
Alumni of our selective three- or six-month Writing Your Novel courses are eligible for a £150 discounted fee – as are writers who’ve taken the original Edit & Pitch Your Novel course (please note – the teaching materials from Edit & Pitch form the spine of this course – plus all of the extra special features outlined here, so students who’ve taken Edit & Pitch will find much of the material familiar). Or there’s a £50 discount available for writers who’ve taken Anna Davis’s one-day Rewrite Doctor course.
Please upload your application via the form at the end of this page. If you encounter any problems during the application process, or have any questions about the course, please email firstname.lastname@example.org and we’d be happy to help.
We read all application material promptly after the closing date and make our selection of students swiftly at that time.
This course will be delivered via our private online Learning Platform and in live teaching sessions on Zoom.
Introduction & Reviewing Your Novel
Tuesday 7 June
Abbie welcomes the students to the Learn platform. With videos and notes from Anna Davis on how to read your draft with a critical eye and prepare for your edit, plus tasks for students to undertake.
Masterclass 1, Anna Davis
Weds 8 June, 7–9pm (Zoom)
Anna Davis will welcome you to the course in this live Zoom session. Students will be invited to discuss their major editing issues, and Anna will walk the group through her Rewrite Doctor editing method.
The Rewrite Doctor
Tuesday 14 June
Abbie posts to the group about big-picture editing, and responds to students re last week’s tasks. With teaching videos, resources and notes from Anna Davis on her system of editing. Students are encouraged to start work on applying the Rewrite Doctor to their own first draft (or using it to evolve their own preferred system).
Editing: An Author's Approach
Tuesday 21 June
Abbie posts to the group and responds to questions and discussion from the group about their editing process.
Masterclass 2, Tutor editing clinic
Weds 22 June – 7–8.30pm (Zoom)
In this live Zoom session, Abbie will talk about her own experience of editing – as an author and as an agent. Students will also have the chance to talk to ask Abbie’s advice on thorny editing issues.
The Rewrite Check-up
Tuesday 28 June
Abbie posts to the group on Tuesday, and responds to questions and discussion from the group about their rewriting process.
Masterclass 3, Rewrite Check-up with Anna Davis
Weds 29 June – 7–8.30pm
The group meets on Zoom with Anna Davis to discuss their experience of working with the Rewrite Doctor and editing their novels. Anna will offer each student the opportunity to talk about the discoveries they’ve made (with the full group present), and will answer questions and give advice on issues the students may be encountering.
Revising and polishing
Tuesday 5 July
Abbie posts to the group and answers questions on the detailed rewriting and editing of your work. With videos and notes from Anna Davis on how to implement your rewrites and polish your novel to a shine, plus two tasks to undertake.
Masterclass 4, Line-Editing with Abby Parsons & Guest editor
Weds 6 July – 7–8.30pm
In this live Zoom session, CBC’s senior manager (and former editor at Hachette) Abby Parsons will be joined by a guest publishing editor to discuss a professional approach to the line-editing of your novel, and to answer all your questions.
Scene by scene
Tuesday 12 July
Abbie posts to the group about fine-tuning your work scene by scene. You will post up a new or rewritten scene from your novel in response to last week’s writing task from Anna, and Abbie will give written feedback to eight of the students on their scene (with the remaining students getting feedback next week).
Tuesday 19 July
Abbie posts to the group to check in on their progress and editing/rewriting goals for the summer recess. She also gives written feedback to the remaining eight students on their scene.
Tuesday 6 September
Abbie posts to the group about the elevator pitch and synopsis, and answers your questions. With teaching videos, notes and case studies, offering comprehensive advice on both one-line pitch and synopsis.
Students start work on their one-page synopsis.
The Publisher's Perspective
Tuesday 13 September
It’s time to post up your one-page synopsis in the Learn forum. Eight of the group will get feedback from Abbie – with the others getting their feedback next week.
Masterclass 5, The Publisher’s Perspective
Wednesday 14 September – 7–8.30pm
In this live Zoom session, a publisher will talk about the process of working editorially with authors and the importance of the pitch – plus a chance to ask your questions.
Writing Your Agent Letter
Tuesday 20 September
Abbie posts to the group and gives feedback to the remaining seven students on their synopses. With Anna’s videos and notes on the ‘dos and don’ts’ of writing a compelling agent letter.
Students start work on their own agent pitch letter.
Agent Feedback on your Letter
Tuesday 27 September
After an encouraging post from Abbie, it’s time to share your own practice agent letter on the Learn forum.
Later in the week you’ll receive written feedback on your draft agent letter in the Learn forum from a Curtis Brown or C&W literary agent.
The Agent's Perspective
Tuesday 4 October
Abbie answers your questions about preparing your pitch package and submitting your work to agents, with videos from the Curtis Brown and C&W literary agents offering their tips on how to pitch your novel. It’s time to prepare your pitch package to share with Abbie for your end of course tutorial.
Masterclass 5, The Agent’s Perspective
Wednesday 5 October – 7–8.30pm
Two literary agents from Curtis Brown or C&W will discuss everything you want to know about pitching and working with agents in this special Zoom class.
Conclusions & Your Submission Package
Tuesday 11 October
You’ll hand in your pitch package to the tutor: the opening 3,000 words of your novel plus agent letter and one-page synopsis. You’ll also have the option to share it with your group on the forum. Farewell from Abbie!
Wednesday 12 October – Friday 21 October
On scheduled dates across this period, each student will have an individual 30-minute one-to-one tutorial with Abbie to discuss their pitch package.